outside and may have you dreaming of the beach... but autumn is closer than you think!!! Our NJCWG - A REASON TO WRITE conference is scheduled for October 8, 2005 -- less than 12 weeks away. Are you ready? 
"Take a page of prose that interests you. It can be anything—from the dense, imagistic writing of Gabriel GarcÃa MárquezÂ’s One Hundred Years of Solitude to a passage from a Virginia Woolf novel to a manual on a home renovation technique. Now, break it into poetry. Take out anything that doesnÂ’t interest you. Prune out small words such as ‘theÂ’ and ‘a,Â’ and look for surprises, metaphors and unexpected combinations. The result may be a complete poem (be sure to credit the original) or simply an exercise to stretch your imagination. Adding your own lines of response can make it into an entirely different poem."CONVERSATION
To be part of the WD monthly Conversation, e-mail your brief response (up to 50 words) to writersdig@fwpubs.com with "Dearly Departed" as the subject line.In the August issue of WD, we discuss how to kill off characters in your
fiction. Which literary character(s) do you feel deserved to live? Or maybe you
think thereÂ’s one who shouloffered been offed in Chapter 1 but makes it to the end.
POPULAR FICTION"Yes, and the audience is there. For one thing, we have increasingly
sophisticated readers. TheyÂ’re less inclined to accept that old chivalric
code of the fast-draw contest and want to know more about the grittiness of
the actual West. And if youÂ’re asking me if thereÂ’s a market for it, think
about writers such as Cormac McCarthy, Larry McMurtry, Jane Smiley and
Barbara Kingsolver. All of these people are writing historical Westerns now,
but theyÂ’re painting on a much broader canvas.There are also greater repercussions now to the actual points of action than weÂ’ve seen in the past. These days, writers arenÂ’t just dealing with the fact that somebody
was shot down in the street. They’re also dealing with the family—the characters left behind.The modern Western is more rooted in humanity than it was in the past. This was always true of the great Westerns. But when so many people tried to imitate them, it became like a 10th carbon copy—it just got worse and worse. Unfortunately, the Western has always been judged by its more mediocre work."
YouÂ’ve been given a one-year deadline and a $1 million signing bonus to write aMORE...
300-page novel. ItÂ’s the day before the deadline and youÂ’ve written one page.
What are you going to tell your editor? Write an elaborate excuse thatÂ’s so
clever and believable that it becomes the plot of your novel.
"I lean and loafe at my ease... observing a spear of summer grass."
From Leaves of Grass by Walt Whitman
"Kathleen has an innate sense of story structure. She can find holes in the~ * ~ * ~ * ~
story and problems with point of view and characters with the accuracy of an
Olympic marksman."
